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Brand Strategy

Logo

Colour

Typography

Tone of Voice

Layout

Graphic Elements

Photography

Applications

V1 2023


Brand Strategy

Logo

Colour

Typography

Tone of Voice

Layout

Graphic Elements 

Photography

Applications

Thirty High

Brand Guidelines

This brand toolkit provides the flexible framework and assets to create a brand experience that is always and unmistakably Thirty High.


For further support contact:

Miranda Bateman

Miranda.Bateman@landsec.com

Brand Strategy


Brand Manifesto

Brand Promise



Brand Strategy


We are here to disrupt the market with a unique mix of prime product offer, customer focus and location. Our brand strategy consists of two simple and connected ideas that build on our authentic origin story: Our Brand Manifesto (How we focus our actions); and our Brand Promise (How we communicate our brand).

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Brand Manifesto


Our manifesto is a simple statement that’s bold, deep, and inspires action. It’s a powerful reminder to our stakeholders, customers and all those who interact with our brand; of who we are and what we want to accomplish. By sharing our brand manifesto, we draw focus to our beliefs and inspire action.

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Brand Promise


This is how we articulate our brand value proposition, setting our customers’ expectations of our brand. We use our brand promise to help us tell stories about what we do and why we do it. This promise communicates to our audiences that Thirty High brings innovation and status to the modern workplace, ahead of category norms. It also allows us to draw attention to our presence on the SW1 skyline and the benefits that provides.

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Logo


Logo Variations

Logo Clearspace

Logo Sizing

Logo Placement

SoMe & App Logo

Logo


The Thirty High logo is our most important core brand identity element. Always ensure consistent placement, sizing, clearspace and color usage. This section will also cover our co-branding principles, SoMe logo and app icon. 

Hover: with/without guides

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Download Logos

Logo Variations


There are two applicable logo versions, primary and secondary. The stacked logo is always used in the first instance. There may be needs or opportunities where a single line logo is more impactful/necessary in which case refer to the in-line version below. 

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Logo Clearspace


When placing the logo, it's important that it's given enough space from the margins and other elements. The clearspace principle derives from the size of our Y. The same clearspace rules exist for the in-line logo. 

Hover: with/without guides

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Logo Sizing


Our logo is designed to work at all sizes. The minimum logo size is set to a width of 100px/2.5cm, ensuring proper legibility. There is no set maximum size. If you go big, always remember to follow the clearspace rules.

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Logo Placement


Our logo placement system is simple and clear, but has enough flexibility to accomodate various applications. The primary placements are centred (for instance an end frame of an animation) and the corners (for instance a website homepage or a brochure footer). When positioning the logo, strictly use one of the alignments below.

Primary Logo Placement


Centered


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Corners

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SoMe & App Logo


Our social media avatar is designed to stand out on any social media platform. Since it's almost always connected to our username, it features our iconic arches, creating a strong and recognisable brand mark. Round and Square formats shown.






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Colour


Colour — Logo



Colour


Our brand consists of two palettes that when used correctly creates a harmonious balance. Only use the colourways shown below.

A celebration of the original and the new, our palette is an elegant contradiction. Rich and warm green tones reminiscent of the light-reflecting nature of the new entry pavilion; and a restrained and architectural series inspired by the heritage of the original construction come together to make a thoroughly modern, utterly unique colour series. 


*CMYK colours to be specified post colour testing. 

Always conduct a print test before comissioning printed material.

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Colour — Logo


Our colours have been designed to create impactful pairings with contrast and variation when applied to our logo. Always seek to create contrast using the below as inspiration. Avoid overly similar tones.     




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Typography


Fonts

Licensing

Typography


Arresting and confident, our typography carries our message across all channels and touchpoints. 

We use two brand typefaces. For headlines we use Reckless for all other copy we use New Hero. For emails and internal communications our system font for Mac and PC is Arial.

Font — Reckless

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Font — New Hero

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Licensing


Reckless — Available from Displaay. 


New Hero — Available from Adobe Fonts as part of an Adobe Creative Cloud subscription, cleared for personal and commercial use. Visit Newlyn to purchase additional licensing and services.

Tone of Voice


Principles

Key Message Framework

Key Message Examples

Tone of Voice


When we speak, we do it with contrasts.  We are clear and exact about our subject matter which means we use facts and evidence, whilst allowing equal room for us to help encourage, invent and inspire.

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Principles


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Key Message Framework


Our base messaging framework supports a communications toolkit that enables us to deliver strategic communications over the pre-let to post-launch lifecycle of Thirty High. Each stage is guided by unique objectives with specific feature, benefit and proof-points along with content pillars that identify key focus areas for communications development. These details are placeholders until design and amenities are confirmed.


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Key Message Example — Pre-launch

Build awareness to wide audience & stimulate pre-registration of interest.



A new high for

the workplace

at SW1

Key Message Example — Launch

Demonstrate relevant proof-points to inspire interest/conversion.


The new high

for your

workplace

Key Message Example — Post-Launch

Show experience, life and community at Thirty High. 



Viewpoints at Thirty High

Layout


Margins, Columns & Grid

Logo & Type Sizing

Type Sizing in Detail

Layout


Layout is an important part of our design system. Our layout principles are flexible and should always put our content in focus.

Margins, Columns & Grid


Image 1 —

To define the margins for any layout, we divide the shortest edge by 18.


Image 2 —

We apply columns in multiples of 3, e.g. 3, 6 (shown), 9, 12. 


Image 3 —

We use the margin dimension to run a uniform baseline grid from the top, this approach provides consistency across a broad range of formats from web banners to hoardings.

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Logo & Type Sizing


We use the baseline grid to define our logo and type sizes. 


Image 1  —

The first image below illustrates that the logo height occupies whole multiples of the baseline grid. It can be as large as required as long as you adhere to the logo clearspace rules and margins. 


Image 2 and 3 —

Headlines and body copy cap heights are also measured using the baseline grid. 

See Type Sizing in Detail for further explanation.


Image 3 —

Limit type sizes and weights to a maximum of three diffrent styles to ensure there is a consistency across all communications. Use scale to create impact and to make an impression.

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Type Sizing in Detail


We use the baseline grid when sizing copy across communications. Where one baseline is X, the headline and body copy examples shown below use this as a measure. We use powerful headlines and short messages to communicate with clarity and conviction. 

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Pavilion Graphic


Constuction

Use

Pavilion Graphic


We use the entry pavilion as a graphical element in communications to frame messaging and photography, representing a window in or a view out of Thirty High. 

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Construction


To create a repeat pavilion graphic we start by firstly drawing a circle. Where the diameter is shown as X, the height of the arch is 2X. This can be adjusted when necessary to lower or raise its height dependent on application. 

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Use


Once we have established the pavilion graphic, we determine the stroke thickness by taking the diameter (X) and dividing it by 8. We then populate the space within the arches with content. Use the Layout principles when working with type and imagery within the arches as you would with any other layout/communication.  



Hover: without/with content

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Photography


The Building

The Amenities

The Place

The People




Photography


Imagery is key to bringing authentic stories to life. Through it we capture the building, the amenities, the place and the people (including the tenants when launched).

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Photography Library


All photography shown here is for visual purposes only to illustrate design intent. Distribution, reuse or resale is strictly prohibited. The photography library will be updated with commissioned photography once undertaken which will feature bespoke art direction, propping and context. 

The Building


When choosing angles to capture our building, we celebrate its biggest USP: height. We can look upwards, or take surprising external viewpoints where we capture both building and vista. In addition, we show the cityscape from the internal floorplates to showcase the truly unique vantage points from the tallest tower in SW1. Buildings shown here are reference only to inspire art direction for future shoots of Thirty High. 

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The Amenities


When the opportunity arises, we show inside and outside at the same time. The amenity spaces with the views. Maximise light and sense of space. Capture the key amenities filled with life and energy to highlight this is a place being developed with people at its core.

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The Place


Our local area shots should celebrate the human impact and benefits of the location. No shop-fronts or close-up pub signs, we look internally to capture the people within the places, those that use it and those that make it unique. Our building is iconic and visible from far and wide, when we capture the wider location we look for opportunities to see our site in context.

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The People


From our internal team, to the architects and eventually our tenants, we feature the people that defines the place. We shoot portraits with a sense of confidence and stature, incorporating a slight upwards angle and a celebration of individuality that prizes them as highly as the building itself. 

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Applications


Continuously updated with relevant examples. Use these examples as inspiration when creating brand materials.

Indicative Hoarding

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Social story

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LinkedIn Post

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Agent E-Mailer

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Holding Page 

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Brand & Design by Studio Phoenix.

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